Drone vs. DSLR Milky Way Challenge

Share This Story

Nikon D850 vs. DJI Mavic 2 Pro

This was a fun experiment and, to be honest, I’m not sure if it’s been done before. I read about photographers capturing the Milky Way with their phones so I wanted to put a drone to the test and see what it could do while hovering. As it turns out you can not only catch the Milky Way’s galactic core but also meteors and satellites as well.

The experiment came about as I was on the beach in Eastern Australia. I arrived shortly after midnight with both the Nikon D850 and DJI Mavic 2 Pro in hand. Conditions were not ideal for the Nikon. A light sea fog stretched along the beach, creating less than desirable astro shooting conditions there. It wasn’t thick, but it was enough to significantly reduce sharpness, so I used the fog to my advantage, and used the drone to light a couple of shots from the air.

Alien Abduction. D850. 10 second exposure. f/2.8. 10000 ISO. Lit with Mavic Pro 2 landing light. Photo by Christopher V. Sherman

After that, it was time to take the drone up above the fog and see what it could do.

I set the intervalometer on the D850, left it on the beach for a time lapse and got out the Mavic 2. The goal was simple: See if the DJI Mavic 2 Pro could capture the Milky Way galactic core in a reasonable fashion and compare images between the two cameras.

The Setup

A couple of things needed to be right for this to work and they were ideal that night:

  • First I needed the galactic core to be low enough to the horizon that the drone could capture it without a problem. The Mavic 2 camera gimbal has a 20-degree up-tilt but I didn’t want to have to worry about angling the camera too high up.
  • The second priority was calm air. The Mavic 2 can shoot up to 8 second exposures and I’d need all the exposure time I could get without it moving around in the wind.
  • Third, it need to be dark, obviously, with no light pollution and no moon.
  • And finally, the Mavic had to actually be in the air the time. No cheating with a ground shot, this was going to be live, in the air, subject to the wind and elements. And besides, with the misting fog, a ground shot was going to be even more difficult.

The Mavic 2 Pro includes a built-in Hasselblad L1D-20c camera and a 20MP 1-inch CMOS sensor. The field of view is about 77°. It allows for up to 8-second exposure times, shooting in DNG raw, and a max 12800 ISO. So I shot with those settings.

The Nikon D850 was equipped with the Tamron SP 15-30mm f/2.8 Di VC USD. It was already set for 10 second exposures at f2.8 at 10000 ISO. I just left it at those settings, taking a time lapse.

To avoid the fog entirely, I took the Mavic up to 276 feet above ground level (AGL) and shot from there.

I’ve shot with DJI gear since 2014 and since the long exposure option was introduced in the Phantom series several years ago, I’ve been a big fan. It’s a tripod in the air. Calm nights with proper lighting can yield wonderful exposures. See the Singapore shot below for example.

Singapore. Mavic 2 Pro. 1.3 second exposure. f/2.8. iso 100. Photo by Christopher V. Sherman

While well lit skyline shots are easy for the Mavic 2 Pro, with the Milky Way challenge, I was going for darkness and max ISO, with the only light coming from the stars or in this particular case, planets as well. Venus and Jupiter were in the galactic core at the time, so they would have to be a part of the composition. No getting around that.

The Results

Surprisingly, the Mavic 2 was up to the challenge. As you can see by the images below, the Mavic caught, not only the Milky Way core, but a meteor and two satellites (top left of image).

The D850 captured the same scene, at the same time, through the misting fog on the beach. The weather conditions handicapped the ground-based camera, the fog measurably decreasing the sharpness of the stars.

Both shots are below, without any processing. Click on either image to view a higher resolution.

Mavic 2 Pro. 276 feet above ground level. 8 second exposure. f/2.8, ISO 12800.
Photo by Christopher V. Sherman
Nikon D850. Tamron 15-30mm. At ground level, on the beach, shooting through a light sea fog. 15mm, 10 second exposure, f/2.8, iso 10000. Photo by Christopher V. Sherman

The high ISO yielded some strange red banding at the top and bottom of the Mavic image, and of course there was a fare amount of noise but still rather respectable for an 8 second exposure, with the machine hovering at 276 feet off the ground.

Another shot:

Mavic 2 Pro. 276 feet above ground level. 8 second exposure. f/2.8, ISO 12800.
Photo by Christopher V. Sherman

I’m new to the process of image stacking, but gave it a try with several of the Mavic images shot that evening. Image stacking is a technique to reduce noise and improve image quality by combining multiple astrophotography shots. The following image is an 11-image stack from the Mavic Pro 2, stacked in Sequator. Would you have guessed it was shot from a drone? Below it is an 11-image stack from the Nikon. Click on either image to view a higher resolution.

Mavic 2 Pro. 276 feet above ground level. Stacked shot of 11, 8-second exposures, stacked in Sequator. f/2.8, ISO 12800. Photo by Christopher V. Sherman
Nikon D850. Tamron 15-30mm. At ground level, on the beach, shooting through a light sea fog. Stacked shot of 11, 10-second exposures, stacked in Sequator. Each image 15mm, 10 second exposure, f/2.8, iso 10000. Photo by Christopher V. Sherman
Mavic 2 Pro. 276 feet above ground level. Stacked shot of 11, 8-second exposures, stacked in Sequator. f/2.8, ISO 12800. Photo by Christopher V. Sherman

Star trails with a drone? Hmmmm…. I don’t think you’re going to see a lot of people posting these online anytime soon. Below is a 22 image stack shot with the Mavic 2 Pro and stacked in StarStaX.

Mavic 2 Pro. 276 feet above ground level. Stacked shot of 22 images, each 8-second exposures, stacked in StarStaX. f/2.8, ISO 12800. Photo by Christopher V. Sherman

Don’t Give Up Your DSLR Yet

Given the challenge of the misting fog on the beach facing the Nikon D850, I’d say the Mavic 2 Pro put up a good fight. It will never be my go-to gear for astrophotography but it’s impressive nonetheless.

Share This Story

Lighting a Milky Way Scene with a Drone: Abducted By Aliens

Share This Story

Early one morning, while gazing at our amazing Milky Way galaxy, on a beach, on the shore the Tasman Sea in eastern Australia, I was swiftly and briefly beamed up and then returned. It was caught on camera in this epic photo. No, that’s not a drone with a light under it. And no, no alien probes were used during my brief captivity. That’s my story and I’m sticking to it.  #aliens #notstaged #beammeup

…. Okay, yes, that is that is a drone. This was my first attempt at lighting a scene with a drone.

The image was shot with a Nikon D850 on a tripod with a Tamron 15-30mm lens.

The drone used was the DJI Mavic 2 Pro. The red lights are the Mavic’s rear lights. They’re red because I had less than 30% battery remaining at the time. Usually they’re green. The main beam is the Mavic’s landing/takeoff light.

Alien Abduction. D850. 10 second exposure. f/2.8. 10000 ISO. Lit with the Mavic Pro 2 landing light for just a fraction of a second as the drone flew straight up. Photo by Christopher V. Sherman

I kept this simple, using the Mavic 2 Pro’s built-in landing/takoff light. The light goes on automatically in dusk or night situations, during takeoff and landing.

A light sea fog stretched along the beach, creating less than desirable astro shooting conditions. It wasn’t thick, but it was enough to significantly reduce sharpness in the stars. At the same time it gave off an interesting hazy glow with the white drone light on.

Since I wanted to capture this in a single image with the Milky Way in the background, I had to time the shutter with the drone so that the drone light was only lit for a fraction of a second while the shutter was open otherwise I’d blowout the entire beach.

At the time I didn’t know if these lights were controllable by the pilot or if they were automatic only. I’ve since discovered that they can indeed be turned on and off by the pilot in the DJI app.

Not knowing this at the time, I had to rely on the Mavic lights being automatically activated by the bottom sensors when it was near landing or take off. And with that in mind I had to time the drone’s climb or decent with the Mavic controls in one hand and the D850’s remote shutter trigger with the other. Not knowing exactly when the landing light would come on meant this took several takes before I got the timing right and an even exposure.

I would have liked to have taken the drone higher to light more of the beach but it would automatically shut off on it’s own at it’s predetermined altitude. Now that I know that the pilot can control these lights in the app, I look forward to additional experimenting as time permits.

Share This Story

The KVUE Interview: A Photographic Nomad

Share This Story

2018 was a departure for me in more ways then one. I terminated my lease in Austin, Texas, put his stuff in storage and refocused his entire life on traveling, with an emphasis on photography.

Austin’s ABC television affiliate, KVUE, did a story on my activities which can be viewed below or here.

That nomadic photography collection can be found on my Nomadic Favorites gallery.

October 2018 marked the 10th month of my nomadic lifestyle. In that time I visited 22 states, including 13 national parks, monuments and recreation areas before I lost count. I’ve popped into Canada and over to Iceland. More travel in 2019 is planned.

Share This Story

5 in a million: Full Strawberry Moon with an Airplane Transit with Saturn in Opposition.

Share This Story

I couldn’t have planned this if I tried. It was a 1 in a million shot as the plane photo bombed the moon. As it was, I guess, it was a 5-in-a-million shot as I was shooting bracketed shots, taking a set of five.

I was out having a little fun, shooting the June 27, 2018 Strawberry moon and Saturn in opposition. I didn’t even see the plane transiting the moon as I was shooting. It wasn’t until looking at the camera screen shortly thereafter that I saw it. At first I thought it was a cloud or a bug or something.

I shot a bracketed set of 5 images with the top image below being the best exposure of the plane and moon. This was shot about 50 minutes after sunset. I was in the Wisconsin North Woods currently so I had to wait until the moon rose above the trees for clear line of sight.

Below are the bracket shots, edited in Lightroom to equal the exposure levels and aligned in Photoshop (I was shooting hand held).

Zoom in on any photo to see Saturn and it’s rings in the lower right. Shot with Nikon D850 and Tamron 150-600mm. f/6.3. 200 ISO. The brackets in order below are 1/200, 1/160, 1/125, 1/100 and 1/80 sec. Exif data were edited due to the stacking and aligning process.

Share This Story